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Francisco Goya

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Francisco Goya

Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns. He is widely regarded as one of the most influential figures in the history of Western art.

culture · Spanish painter and printmaker (1746–1828) · painter · printmaker · lithographer · etcher · graphic artist · draftsperson · visual artist · also Francisco Goya, Francisco Goya Lucientes, Francisco de Goya y Lucientes, Francisco José Goya Lucientes, Francisco José de Goya y Lucientes, Goya

Born 30 March 1746 · Died 16 April 1828 · Q5432

26 published statements · 0 followers

Updated 1 day ago

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  • Quote

    A corral of madmen and two who are fighting, naked, with their keeper beating them and others with sacks (a subject which I witnessed in Saragossa).

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    to occupy my imagination, tormented as it is by contemplation of my sufferings.

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    His Majesty's Giant Anteater – A New Goya is Discovered!

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    El sueño de la razón produce monstruos.

    68%Wikiquote (en)SourcePermalink

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    s death in 1803 give valuable insight into Goya

    76%WikipediaSourcePermalink

  • Quote

    The Sleep of Reason Produces Monsters

    72%WikipediaSourcePermalink

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Francisco Goya

“A corral of madmen and two who are fighting, naked, with their keeper beating them and others with sacks (a subject which I witnessed in Saragossa).”
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Exact date was not recorded in the sourceDirect quote68% confidence

Francisco Goya

“El sueño de la razón produce monstruos.”
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Francisco Goya

To retire to the French city of Bordeaux, accompanied by his much younger maid and companion, Leocadia Weiss, who may have been his lover
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Francisco Goya

Was painting The Second of May 1808 and The Third of May 1808, and preparing the series of etchings later known as The Disasters of War (Los desastres de la guerra)
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All Godoy's property was seized by Ferdinand VII after his fall from power and exile, and in 1813 the Inquisition confiscated both works as 'obscene', returning them in 1836 to the Academy of Fine Arts of San Fernando
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Painted Godoy in a commission to commemorate the victory in the brief War of the Oranges against Portugal
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